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Dedicated to my father the late Stephen
Stanley Reys
In a moment of
stillness I closely observed the shadows of a nearby tree. As it lay
by my feet it seemed to shelter and warm the earth as if it were
protecting and guiding the earth in unison with the spirits of our
ancestors. As the tree and shadows inevitably had their place in the
landscape I felt there too was a place for me, I just had to search
for it.
When I reflect on my journey of
self-discovery over the past nine years it seems as though I was
destined to come to Perth to learn more about my culture. As you
grow up you begin to ask questions about your identity and that’s
when things seem to fall into place and make sense. My grandparents
didn’t speak openly about their culture because of the pain and hurt
they had experienced and lived through as children and as adults. A
generation forbidden to speak their language, to practice their
culture and told to forget their past. At the age of sixty, my
father was just beginning to express his hurt in writing:
They got warning the police were
coming. The mothers gathered their babies and sent the older
ones running. Told to follow the river and never return. The
children heard gun shots yells and screams and saw their bark
hut burn. They followed the river for three days, three nights,
mourned, shivered and feared snake bites. Found by woodcutters
who did them no harm. They took them to Shaws Hill to the
nearest farm. The owners kept them there worked them without
pay. They never saw their parents again to this very day. The
words in this poem are so very true, because this is what
happened to my mother, two aunties and uncle. I now live in
sorrow for what they went through.
Dad told stories of the difficulties
that indigenous people faced because of their removal from the land
and now it seems that I am destined to tell of some of the
difficulties experienced through its return in my own way.
After what seemed a long wait the day of
the handover arrived. It was 12 March 2002. The Queensland
Government was transferring land back to the descendants of the
original land owners. I was about to meet relatives that I had only
heard about on a land that I would become part of. On the flight
over to Cairns I had imagined the ceremony to be rich in history,
emotion, dance and culture just like to ones you sometimes see in
documentaries. But that’s not how it happened. There was no
traditional song and dance to consecrate the ceremony. It seemed
cold-hearted. I was eager to capture the spiritual essence of the
ceremony but my immediate reaction was one of concern. As the day
progressed I unwillingly observed the veiled tension and division
within the family. Apparently it had only existed since the onset of
land claims in the fight for identity and ownership. Ironically the
land came to signify both unity and division within the group. After
the ceremony had passed I asked Mum what the transfer of land meant
to her:
It wasn’t just a block of dirt that
was being given back; it was my heritage, my culture and my
identity. The land is my heartbeat, it’s who I am. I was given
back part of what was taken away from us; a part of something
that we can never understand. Now we’re trying to find our
culture and trying to find our identity.
On the return flight to Perth I allowed
myself to absorb the echoing screams of terror as the Rabbit Proof
Fence screened as the in-flight movie. Uncontrollable tears were
shed in remembrance of my ancestors and their separation from land
and family whilst the whispers of sense of place and belonging
uplifted my spirits. My experiences thus far have led me to truly
appreciate the land and my culture and the difficulties involved in
returning something so precious that has been missing for so long.
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| Born in November 1965,
Badjala, Darrba language group |
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| 2003 |
Bachelor of Arts, Curtin University of
Technology, Bentley, Western Australia (WA) |
| 2000 |
Diploma of Aboriginal Visual Arts,
Midland College of TAFE, Midland, WA |
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| 2004 |
Where Is my Place of Belonging,
Gomboc Gallery, Middle Swan, WA |
| 2000 |
Badjala, Kulcha, Multi-Cultural
Association, Fremantle, WA |
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| 2004 |
On Track, Contemporary
Aboriginal Art from Western Australia, Perth, WA |
| 2003 |
Shell Fremantle Print Art Award,
Fremantle, WA |
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Now You See It 2, City of Swan,
Midland, WA |
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Continuum, Perth College, Mount
Lawley, WA |
| 2002 |
Public Art Exhibition, Midland
Redevelopment Authority, Midland, WA |
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| 2003 |
Academic Excellence, Semester Two,
Curtin University of Technology, Bentley, WA |
| 2002 |
Academic Excellence, Semester One,
Curtin University of Technology, Bentley, WA |
| 2001 |
Joint Winner, Sangora Technical and
Further Education Award, Perth, WA |
| 2000 |
Award for Excellence, Diploma of
Aboriginal Visual Arts, Midland College of TAFE, Midland, WA |
| 1999 |
Finalist, Training Excellence Awards,
Hamersley Iron Aboriginal and TSI Student of the Year, Perth, WA |
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