 |
| 1988-99 |
Senior lecturer, Monash University
(Caulfield Campus) |
| 1985-87 |
Lecturer, Bendigo College of Advanced
Education, La Trobe University |
| 1978-85 |
Lecturer, Canberra School of Art |
| 1973-75 |
Lecturer Grade I, Darwin Community
College |
| 1972 |
Overseas study, Bali |
| 1971 |
Art teacher, Caulfield Grammar School |
| 1970 |
Art teacher, RMIT (print-making) |
| 1964-69 |
Art teacher, Coburg Technical College;
Emily MacPherson College; MLC Hawthorn; RMIT (painting), part-time |
| 1963 |
Overseas study: Greece, Italy, England |
| 1961-62 |
Art teacher, Hermitage, Geelong |
| 1961 |
Awarded Diploma of Fine Art, Royal
Melbourne Institute of Technology |
| |
|
 |
| 2008 |
Exhibition, Ballarat Fine Art Gallery,
Victoria |
| |
Three person exhibition (with Robert
Jacks and Craig Gough) Penny School Gallery,Maldon, Victoria |
| 2006 |
The Gathering Fields,
Metro 5 Gallery, Melbourne |
| |
Connections, Woodbine
Art, Malmsbury |
| 2005 |
A Metaphysical Edge,
Bendigo Art Gallery, Survey 1993 - 2005 |
| 2004 |
Silent Fields, Metro 5
Gallery, Melbourne |
| 2001 |
W. Stavrianos’ Survey Exhibition,
Metro 5 Gallery, Melbourne |
| 2000 |
Mantles of Landscape and Memory,
Eva Breuer Art Gallery, Sydney |
| 1999 |
Retrospective Exhibition,
Albury Art Gallery |
| |
Retrospective Exhibition,
Swan Hill Art Gallery |
| |
Retrospective Exhibition,
UTS Gallery, University of Technology, Sydney |
| |
Mantles of Landscape and Memory,
Bulle Gallery, Melbourne |
| |
Exhibition Korea - 2nd
Exhibition International Creative Women’s Association, Tangduk
Gallery, Seoul, Korea |
| 1998 |
Hamilton Regional Art Gallery, Victoria |
| |
Retrospective Exhibition,
Toowoomba Regional Art Gallery, Queensland |
| |
Retrospective Exhibition,
Gold Coast City Art Gallery |
| 1997 |
Bendigo Regional Arts Centre, Bendigo |
| |
Retrospective Exhibition,
The Drill Hall Gallery, Australian National University, curator
Sasha Grishin |
| 1996 |
W. Stavrianos, Book
Launch by Craftsman Press, Monograph, Eva Breuer Gallery, Sydney |
| |
The Gatherers and the Night City,
Melbourne Book Launch and Exhibition, Lyall Burton Gallery,
Melbourne |
| |
Book Launch and Exhibition, Solander
Gallery, Canberra |
| 1995 |
Mantles of Darkness,
Nolan Gallery, Canberra |
| 1994 |
Mantles of Darkness,
touring exhibition to Ararat Gallery (11 March-24 April);
Castlemaine Art Gallery (15 May-12 June); Geelong Art Gallery (17
June-17 July); McLelland Art Gallery, Langwarrin (11 September-9
October) |
| |
The Gatherers and the Night City,
Lula Bilu Gallery, Melbourne |
| |
A Tremulous November,
Lula Bilu Gallery, Melbourne |
| 1992 |
Mantles of Darkness, Lula
Bilu Gallery, Melbourne |
| 1991 |
Drawing Retrospective,
Adam Gallery, Melbourne, courtesy Lula Bilu Gallery |
| 1989 |
Veiled in Memory and Reflection,
The Art Gallery (renamed Lula Bilu Gallery), Melbourne |
| 1987 |
The Lake Mungo Night Drawings,
Tolarno Gallery, Melbourne |
| |
Summer Roses, Winter Dreams,
Greenhill Galleries, Perth |
| 1986 |
The Night Series, Tolarno
Gallery, Melbourne |
| 1983 |
Earthskins, Tolarno
Gallery, Melbourne |
| 1982 |
Moments in Landscape,
Gallery A, Sydney |
| 1980 |
Wendy Stavrianos, Gallery
A, Sydney |
| 1978 |
Fragments of Days That Have
Become Memories, Ray Hughes Gallery, Brisbane |
| |
Reflections of Darwin,
Tolarno Gallery, Melbourne |
| 1976 |
Wendy Stavrianos, Tolarno
Gallery, Melbourne |
| 1974 |
Flinders Gallery, Geelong |
| 1968 |
Princes Hill Gallery, Melbourne |
| 1967 |
Princes Hill Gallery, Melbourne |
| |
|
 |
| 2007 |
Sulman Art Prize Exhibition,
NSW Art Gallery. |
| |
Sometimes Spotted Rarely Seen,
(curator Dr.Alana O’Brien)LaTrobe Uni. Art
Museum and travelling. |
| |
European Sensibilities: George
Baldessin and his circle, (curator Dick Turner)
Castlemaine Museum and Art Gallery. |
| |
Studio Australian Painters on the
Nature of Creativity, Ian Lloyd and John McDonald.
Exhibition and launch book and DVD, national venues |
| 2006 |
The Sound of the Sky,
(curator Daena Murray) Museum and Art Gallery of the
Northern Territory |
| |
Drawcard 06, National Art
School, Sydney |
| |
Ten Years Acquisitions,
Bendigo Art Gallery |
| |
A Taste of Salt, Salt
Gallery, Queenscliff, VIC |
| 2005 |
National Art School Exhibition,
Sydney |
| 2004 |
Precious Platters, Jewish
Museum, Melbourne |
| |
John Leslie Art Prize,
Sale, VIC |
| |
Fletcher Jones Art Prize,
Geelong |
| |
Fleurieu Art Prize,
Adelaide |
| 2003 |
Bid for Freedom Exhibition,
Melbourne |
| |
Sulman Art Prize Exhibition,NSW
Art Gallery |
| 2002 |
The Painted Fold, Charles
Nodrum Gallery |
| |
Erotica Today, Metro 5
Gallery, Melbourne |
| |
Women Looking at Women,
Macquarie University Art Gallery |
| |
20 Significant Artists from
Victoria, Galeria Aniela, NSW |
| |
Sulman Art Prize Exhibition,
NSW Art Gallery |
| 2001 |
Sulman Art Prize Exhibition,
NSW Art Gallery |
| |
Mythologies: An Introduction,
Invitation Exhibition, curated by Kirsten Rann, Span Gallery,
Melbourne |
| |
Mythologies, Ho Ha
Galleries, Athens, Greece |
| |
Earth. Fire. Water. Metro
5 Melbourne |
| |
Savage Prize Exhibition,
Savage Club and Dickerson Art Gallery |
| 2000 |
We Are Australian,
Travelling Exhibition, Drill Hall, Australian National University,
A.C.T., George Adams Gallery, Victorian Arts Centre, Melbourne and
Tasmania, South Australia, New South Wales. |
| |
Celebrating the Exquisite Corpse,
Invitation Exhibition, curated by Anonda Bell, Bendigo Art Gallery,
June-September. Touring other public art spaces in Victoria in 2001. |
| |
Reciprocal Moves,
Invitation Exhibition, curated by Dr. Noela Stratford, Warrnambool
Art Gallery |
| |
Women on the Move,
Invitation Exhibition, Adam Galleries, Melbourne |
| |
Luna Park and the Art of Mars
Delerium, Invitation Exhibition, Heide Museum of Modern Art,
Melbourne |
| 1999/00 |
The Artful Cello Exhibition,
Adelaide Festival Centre; Perc Tucker Gallery, Townsville; Sydney
Opera House; Sotheby’s, Sydney; Sotheby’s, Melbourne; George Adams
Gallery; Victorian Arts Centre, Melbourne; Volvo Gallery, Sydney;
Drill Hall, Australian National University, ACT |
| 1998 |
Another Ladies Show,
Borough Galleries, Eaglehawke, Victoria |
| |
National Works on Paper,
Mornington Peninsula Regional Art Gallery |
| |
The Mask Show, Distelfink
Gallery Auction, Sotherby’s Melbourne |
| 1997 |
Summer Exhibition, BMG
Gallery, Adelaide, South Australia |
| |
Contemporary Printmakers from Mt.
Alexander Shire, Castlemaine, Victoria |
| |
Geelong Print Prize Exhibition,
Geelong Art Gallery |
| |
Rena Ellen Jones Memorial Print
Award Exhibition, Warrnambool Art Gallery, Victoria |
| |
Silk Cut Award Exhibition,
RMIT Gallery, Melbourne |
| |
Mornington Peninsula Drawing
Award Invitation Show, Mornington Gallery, Mornington |
| |
Savage, Invitation
Drawing Prize, Savage Club, Melbourne |
| |
The Forgotten Fifties to the
Swinging Sixties, Noel Stott Fine Art, Melbourne |
| |
Art in Time, Invitation
Exhibition and Auction, Melbourne |
| 1996 |
Australian Contemporary Art Fair
No. 5, Exhibition Buildings, Melbourne |
| |
Modern Masters, Solander
Gallery, A.C.T. |
| |
The Art of Collecting,
Linden Gallery, Victoria, curator, Elizabeth Gower |
| |
New Acquisitions, Bendigo
Art Gallery, Bendigo |
| 1995 |
9 x 5 Exhibition, Robert
Lindsay Gallery, Melbourne |
| |
The Wandering Jew: Myth and
Metaphor, Jewish Museum of Australia, Melbourne, and touring
until September 1997, conceived by Shaike Snir, curated by Dr. Helen
Light |
| |
Save Albert Park, print
show |
| 1994 |
The Baillieu Myer Collection of
the 80s, Museum of Modern Art at Heide |
| |
The Shire of Kyneton Collection
Show, Monash University (Caulfield Campus), curated by Ken
Scarlett |
| 1993 |
CD Show, Ben Grady
Gallery, Canberra |
| 1992 |
The Land: Art for Heart’s Sake,
Original Prints by Twelve Australian Artists, National Heart
Foundation, Studio One, Canberra |
| |
Tribute Tony Prior,
Realities Gallery, Melbourne |
| |
Review 1992, Lula Bilu
Gallery, Melbourne |
| 1991 |
Artists Make Books,
Linden Gallery, Melbourne and touring (invitation) |
| |
The Intimate Experience,
Ivan Dougherty Gallery, Sydney, curated by Belinda Webb |
| |
Mandorla Prize, New
Norcia, Western Australia and touring |
| |
Review 1991, Lula Bilu
Gallery, Melbourne |
| |
Women Artists 1900-90,
Drawing Show, Adam Gallery, Melbourne |
| 1990 |
SPECIAL ... It’s been used before,
Lula Bilu Gallery, Melbourne |
| |
Australian Contemporary Art Fair,
Royal Exhibition Building, Melbourne |
| |
Castlemaine Drawing Prize,
Castlemaine Art Gallery, Victoria |
| |
Scotchmans Hill Vineyard Art
Prize, Geelong Art Gallery, Victoria |
| 1989 |
Invitation Kingfisher Awards,
Gallery 460, Gosford, New South Wales |
| |
Scotchmans Hill Vineyard Art
Prize, Geelong Art Gallery, Victoria |
| |
Levels of Consciousness,
David Jones Art Gallery, Sydney, curator: Laura Murray Cree |
| 1988 |
Episode I, Caulfield Art
Centre, Melbourne |
| |
The Savage Drawing Club Show,
RMIT, Melbourne (invitation) |
| |
Ansett Art Awards,
Hamilton Art Gallery, Victoria (invitation) |
| 1987 |
Canberra National Times
Exhibition, Canberra School of Art Gallery, Canberra |
| |
Australian Masters,
Solander Gallery, Canberra |
| |
The Age of Collage,
Holdsworth Contemporary Gallery, Sydney (part of Perspecta) |
| 1985 |
Perspecta, Art Gallery of
New South Wales, Sydney |
| |
Impulse and Form, Art
Gallery of Western Australia, Perth (invitation) |
| |
Image and Fabric, Lewers
Bequest and Penrith Regional Art Gallery, New South Wales |
| |
Heartland, Visual Arts
Board travelling exhibition |
| 1984 |
Canberra School of Art, Staff Show,
Canberra School of Art Gallery, Canberra |
| |
Future Fibre, Ivan
Dougherty Gallery, Sydney, curated by Michael Essen |
| 1983 |
Canberra National Times
Exhibition, Canberra School of Art Gallery, Canberra |
| 1982 |
A Sunburnt Country,
Banyule Gallery, Victoria |
| |
Women Artists, Gallery A,
Sydney; Canberra School of Art, Staff Show, Canberra School of Art
Gallery, Canberra |
| |
Landscape Now (42
painters), Solander Gallery, Canberra |
| 1967 |
New Generation Victorians,
Mornington Peninsula Art Centre, Victoria |
|
|
 |
| 2003 |
Artists Residency, Bundanon, NSW |
| 2000 |
Swan Hill Drawing Prize (Purchase) |
| 1992 |
Dominique Segan Drawing Prize,
Castlemaine, Victoria |
| 1992 |
Outside Studies Program Grant, Monash
University |
| 1983 |
Full Visual Arts Board Grant |
| 1978 |
Full Visual Arts Board Grant (Project) |
| 1977 |
MPAC Drawing Acquisitions Award |
| |
|
 |
| |
Cathedral Church of Saint Paul, Panels:
Chapel of Unity, Melbourne |
| |
|
 |
| Ararat Art
Gallery, Victoria |
Art Bank,
Sydney |
| Art Gallery of
Western Australia, Perth |
Australian
National University Collection, ACT |
| Baillieu Myer
Collection, Melbourne |
Bendigo
Regional Art Gallery, Victoria |
| BHP Collection |
Castlemaine
Art Gallery and Museum, Victoria |
| Crown Casino,
Melbourne |
Geelong Art
Gallery, Victoria |
| Holmes à Court
Collection, Perth |
La Trobe
University, Melbourne |
| Macquarie
University Collection, NSW |
Museum of
Contemporary Art, Brisbane |
| National
Australia Bank Collection, Melbourne |
National
Gallery of Australia, Canberra – Phillip Morris
Collection |
| National
Gallery of Victoria, Melbourne |
Northern
Territory Museum of Arts and Sciences, Darwin |
| Phillip Morris
Collection, Canberra |
Queensland
University of Technology, Brisbane |
| Shire of
Kyneton Collection, Victoria |
Swan Hill
Regional Gallery, Victorian Collection |
| Taim
Management Collection, Melbourne |
|
| |
|
|
 |
| Stavrianos, Wendy,
statement in Women’s Art Forum Annual, Women’s Art
Forum of Victoria, Kew, 1978. |
| Stavrianos, Wendy,
personal statements written to accompany solo exhibitions from 1978. |
| Stavrianos, Wendy,
Elizabeth Gower: Nylon tubes and folded newsprint, Artist’s
Choice 16, Art and Australia, 21/1/1983. |
| |
 |
| Drury, Nevill (1998).
Images 3 Contemporary Australian Painting, Sydney:
Craftsman House. |
| Drury, Nevill and Voigt,
Anna (1996). Fire and Shadow: Spirituality in Contemporary
Australian Art, Sydney: Craftsman House. |
| Fenner, Felicity (1992).
Images of Sexuality in Australian Art, Sydney:
Craftsman House, Gordon & Breach. |
| Germaine, Max (1984).
Artists and Galleries of Australia and New Zealand,
Brisbane: Boolarong. |
| Germaine, Max (1991).
A Dictionary of Women Artists of Australia, Sydney:
Craftsman House. |
| Grishin, Sasha (1996).
Printmaking in the 1990s - Artist Printmakers 1990-1995,
Sydney: Craftsman House. |
| Israel, Glenis (1996).
Art Wise Visual Arts 7 - 10, Jacaranda Press. |
| Kirby, Sandy (1992).
Sightlines: Women’s Art and Feminist Perspectives in Australia,
Sydney: Craftsman House, Gordon & Breach. |
| Li, Jing Zhe (Ed.) (2005).
Australian Contemporary Painting: The Classic Works of 42
Excellent Artists, China: Shanghai People’s Publishing
House. |
| McCulloch, Alan (1994).
Encyclopaedia of Australian Art (revised and updated by
Susan McCulloch), Sydney: Allen & Unwin. |
| McDonald, Jan (1986).
Australian Artists’ Index, Sydney: Arts Libraries
Society. |
| McDonald, John & Lloyd Ian
(Editor Photographer) (2005). Studio: Australian Painters at
Work, R. Ian Lloyd Productions. |
| Murray Cree, Laura (2000).
Australian Painting Now, Sydney: Craftsman House. |
| Murray Cree, Laura (1996).
Wendy Stavrianos, A Monograph, Sydney: Craftsman
House. |
| Murray, Laura (1989).
Veiled in Memory and Reflection: A Consummation,
Melbourne: The Art Gallery. |
| Voigt, Anna (1996).
New Visions, New Perspectives, Sydney: Craftsman House. |
| Walker, Robert (1988).
Painters in the Australian Landscape, Sydney: Hale &
Iremonger. |
| |
 |
Age Newspaper The, ‘Wendy
Stavrianos’, Sunday Age, 11 November, 2001
Allen, Christopher, ‘Enlightening the darkness’, Sydney Morning
Herald, 10 November, 1989.
‘Art gallery family grows’, Bendigo Advertiser, 1995.
Ashcroft, Pamela, ‘Women artists come right to the fore’, Artscene,
Sun News-Pictorial, Melbourne, 15 June 1985.
Australian Newspaper The, Weekend Australian Magazine, page 10,
November 10-11, 2001.
Barron, Sonia, ‘A magical and moving experience’, Canberra Times, 12
November, 1997.
Borlase, Nancy, Sydney Morning Herald, 12 July 1980.
Caldow, Sandy, ‘A prestigious exhibition’, Advertiser, Geelong, 1
November 1990.
Carmichael, Rod, Artscene, Sun News-Pictorial, Melbourne, 28
September 1983.
Carmichael, Rod, ‘Artists show ability to lead and not be lead’,
Art, Sun News-Pictorial, Melbourne, 12 June 1986.
Castlemaine Midland Express, Front Page, ‘Boost to Gallery’, 4
December, 2001.
Catalano, Gary, ‘An obsession with the human body in motion’, Age,
Melbourne, 4 June, 1986.
Cawthorne, Zelda, ‘Memories of Doug’, Herald Sun, 16 August, 1999.
Cawthorne, Zelda, ‘Spiritual Journey’, Herald Sun, Arts &
Entertainment, page 1, 14 November, 2001
Coleman, Richard, ‘A painted tree becomes a sewn sculpture’, Sydney
Morning Herald, 7 July, 1980.
Cosic, Miriam, ‘Natural voice speaks in mellifluous tones’, The
Australian, 20 August, 1999.
Cuthbertson, Arch, ‘Rewarding experience’, Advertiser, Geelong, 27
July 1974.
Eagle, Mary, ‘Darwin landscapes a sexual metaphor’, Age, Melbourne,
5 July 1978.
Eccles, Jeremy, ‘Art on cellos to make music’, Canberra Times, 14
March, 2000.
‘Gallery’s new old contrasts’, The Standard, 9 September, 2000.
Grishin, Sasha, ‘Staff exhibition impressive’, Canberra Times, 24
June 1982.
Grishin, Sasha, ‘Perspecta ‘85 - a vast sprawl’, Canberra Times, 29
November 1985.
Grishin, Sasha, ‘An Intimate and Tragic Journey’, Canberra Times, 11
November 1995.
Grishin, Sasha, ‘Content Ignored in Hullabaloo’, Canberra Times, 31
March, 2001.
Harbant, Gill, ‘Autumn’s Glory’, Arts Entertainment, Herald Sun, 16
September, 2000.
Heathcote, Christopher, ‘Abstract oddities, without rhyme or
reason’, Age, Melbourne, 8 April 1992.
Herald Sun – Review, Arts and Entertainment, 19 November, 2001.
Hoffert, Bernard, ‘On reflection a display to remember’, Advocate,
Melbourne, 1 November 1989.
Holloway, Memory, Age, Melbourne, 28 September 1983.
Kaleski, Sonja, ‘Flickering and roaring at Solander’, Canberra
Times, 20 October 1982.
Kingma, Jennifer, ‘Gatherers in a timeless land’, Art Diary,
Canberra Times, 27 October, 1997.
Langer, Gertrude, ‘It’s a nature show: the beauty and the terror’,
Courier-Mail, Brisbane, 25 August 1979.
McCulloch, Alan, ‘Our lost heritage’, Herald, Melbourne, 10 June
1976.
McDonald, John, ‘Fall Guy’, Sydney Morning Herald, 14 September,
1996.
McGrath, Sandra, Australian, 12-13 July 1980.
McKay, Sandra, ‘A prize to be proud of’, Advertiser, Geelong, 1
November 1990.
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2001
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2004
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Morning Herald, 13 March 1982.
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work Castlemaine Art Gallery, December 4, 2001.
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August 1999.
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Cover and Article, 5 November, 2001
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Melbourne, 17 December 1989. |
| |
 |
Art and Australia,
exhibition commentary, 16 March 1979; 18 February 1980; 20 January
1982; 21 April 1984; 24 February 1986; 25 March 1988; 25 April 1989.
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Look Magazine, cover, Art Gallery of New South Wales, Sydney,
October 1985.
McGilchrist, Erica, ‘Challenging the established definition of art
and Australian women artists’, Australian Artist, Sydney, June 1985.
Murray, Laura, ‘Wendy Stavrianos: the romance of the subconscious’,
Huntley’s Australian Art Investor, 6 August 1989.
Petrus, Pauline, ‘Wendy Stavrianos’, Lip Magazine, Lip Editorial
Collective, Ewing & Paton Gallery, University of Melbourne, 1978-79.
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Australia, Arts Centre, Canberra, March 1990. |
| |
 |
A Natural Connection,
Montage Research, September 1994, Monash University.
Australian Contemporary Art Fair No. 5, Lyall Burton Gallery, 1996.
Bell, Anonda, The Exquisite Corpse, June 2000.
Bell, Robert, Impulse and Form, Object Makers and the Australian
Experience, Art Gallery of Western Australia, 1985.
Canberra School of Art, Staff Show 1982-83, Canberra, 1983.
Cawthorn, Zelda, The Artful Cello, Melbourne, August 1999.
Diggins, Lauraine, The Moderns, Melbourne, 1983.
Essen, Michael, Future Fibre, Ivan Dougherty Gallery, Sydney, 1983.
Ewington, Julie, Heartland, touring exhibition, Wollongong City
Gallery, Newcastle Region Art Gallery, Heide Park and Art Gallery,
Ivan Dougherty Gallery, 1987.
Gadsden, Jennifer, ‘2000 Swan Hill Print & Drawing Acquisitive
Awards’, March-May, 2000.
Gates, Merryn, Artists Make Books, touring exhibition, Linden
Gallery (Melbourne), Chameleon (Hobart), La Trobe Valley Arts
Centre, Contemporary Arts Space (Canberra), 1991.
Gilchrist, Maggie, the Intimate Experience, Ivan Dougherty Gallery,
Sydney, 1991.
Gower, Elizabeth, Art of Collecting, 1996.
Grishin, Sasha, Mantles of Darkness, Introductory Essay (1),
Victorian Regional Galleries touring exhibition, 1994.
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Murray, Laura, Levels of Consciousness, David Jones Art Gallery,
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| |
 |
| Maxwell, Helen, The Land:
A Folio of Original Prints by Twelve Australian Artists, printed by
Studio One for National Heart Foundation, Canberra, 1992. |
| |
 |
| Nonagon - 9 Contemporary
Women Artists, Women’s Art Register, Big Print, Melbourne, 1991. |
| |
 |
Eaton, Janenne, Mantles of
Darkness, Melbourne, 1992.
Ferguson, Andrew, The Gatherer and the Night City, Melbourne, 1995.
Rainforest, Lyn, Clothing the Landscape, Canberra, 1985. |
|